[ There's a reason Nate doesn't talk about it with anyone, and that's the crux of it: he's afraid to ask those questions. If he goes back, will he end up alive? Will he wake up to nothing, or not wake up at all? Being naturally curious he's entertained these thoughts and then shied away from them, terrified of the conclusions he might draw about himself. Terrified of painting himself into a corner from which he can't escape.
There's that anxiety again, rearing its head and coursing from skin to skin and Nate recognizes it as the same emotion that passed through him in the rain, on a cliff, in a dream.
What Ian asks for - suggests - isn't a bad idea. It's the sort of exposure therapy that might help provide closure, in theory, and Nate has considered it himself without knowing who he would even decide to share it with. Why would anyone want to see that? To feel it?
The emotions wrapped up in his memory are inextricably entwined with his brother and because of that Nate, startled, blinks and shakes his head. ]
I ca- I can't. I appreciate the offer, I do, but I can't.
[ Selfish, maybe, to keep it a secret. Or he just isn't ready. Probably both.
Nate leans forward and places the bottle on the table before wrapping a beer-chilled hand around Ian's bare wrist, at the very least trying to convey his sincerity. ]
[ He's expecting a refusal, to be honest — he'd have banked more on a no than a yes just because it's a big thing. The thought of sharing those last few minutes watching his mom go would give him a knee-jerk aversion response before he even really processed the request. Logically, he admits it might help — rather, it might have helped him back then, when it was still only six months old.
He parts his lips to say as much — those polite things people say after 'no' they'd already eben expecting, really, it's okay, you don't have to- but Nate cuts that off at the knees.
Wrong time, wrong place, the annoying thing about an empathy bond is you can't pick and choose and screen what you feel like you could probably do with thoughts alone. Recite the alphabet over and over again in your head all you want, you can't do that with your emotions. Cold fingers wrapping around his wrist sends through a sharp and bright awareness through his bones, sensory static and sunlight before Nate's pressing sincerity sweeps it away. Fleeting enough to ignore entirely, hopefully, to focus on the actual subject at hand.
Amusement follows - grim, not remotely cheerful. He accepts the answer, just... the reason he's given, not so much. ]
Don't worry about me. I promise I've seen worse.
[ Than the sky, the trees, and a peaceful death. He's not what's important right now anyway. He's trying to be the comforter, not the comfortee. ]
[ He can't put Ian through the paces of a betrayal so sharp and unexpected that Nate felt all the air leave his lungs when it came to light. He can't show him how stupid he was to believe his brother without reservation, to not ask questions, to not fact-check the information. He twisted his own life to ruin out of a desperate need to help Sam because he owed him, he was indebted, and he can't let Ian see the look on Sam's face when he all but confirmed the story Rafe fed him.
It wasn't the sky, the trees, and a peaceful death. It was a last-ditch effort to keep a psychopath from putting bullets in the Brothers Drake, the panic that swelled when the barrel of a gun leveled at a vulnerable opening, and the lurching fear as he shut his eyes to take the hit before he was knocked over the edge.
It's too much. ]
It was worse. [ He emphasizes firmly, setting a boundary. ] But I don't want to talk about it.
[ Nate gives Ian's wrist a little squeeze before retreating, and maybe it's enough to satisfy his curiosity for now. God knows he means well, he cares, but these still aren't easy asks. They were never going to be, even as he adds a clarifying addendum before he can think better of it: ]
[ It's alright — it wasn't really about pushing the offer so much as making it clear Nate shouldn't consider Ian's sensibilities a factor. He offers a small expression that counts as a smile only by sheer technicality, and his hand leaves Nate's thigh to accommodate his retreat. ]
Okay. You don't have to. Whenever— if you ever do...
[ You know where he lives.
He settles his own elbow against the couch backing, the side of a finger settles on his lips briefly. It doesn't completely fall away when he speaks again. ]
I guess in the meantime we have to find a way to keep the tourists from messing up our city. Fucking snowbirds.
[ A gentle transition offering, if Nate wants the out. ]
[ It's a relief to not be pressed for more, though he he's abundantly, acutely aware that Ian would like to know. He's naturally curious, and he actually seems to care, and Nate is clinging to a vestige of loyalty. He's had disagreements with Sam, and they're different people than they were fifteen years ago.
His brother still spent enough time behind bars that he's more than earned the tabula rasa in a new world.
It's obvious bait and a kind gesture. Nate takes it without question and the thin, crooked smile on his face is a stand-in for a proper thank you. ]
Are you implying that New Amsterdam is the Florida of the future?
[ That actually startles a laugh out of him for the first time since they began this conversation over the implant's network, and Nate makes a show of dabbing a non-existent tear from his eye.
He's absolutely earned the ridicule but that doesn't mean he won't challenge it. Ian is doing him the favor of changing the subject, anyway, and he didn't have to do so. ]
I can't believe you're comparing me to Florida Man. That hurts.
[ Nate doesn't even hesitate. It's instinctual, innate, the kind of hair-trigger, knee-jerk reaction that comes to you out of nowhere, the same sort of reflex as when a fragment of building fails under his hand and the bottom drops out and he has to latch onto the nearest grip.
He takes the throw pillow next to him and, in a perfect mimicry of the last time he committed this exact atrocity on this exact couch, turns and deliberately presses it against Ian's face to stem the flow. ]
[ It's effective — rather, it's effective by accident, because his voice starts faltering as soon as the pillow comes at him, devolving into laughter. He wheels back beneath the onslaught of his own furniture wielded so grievously against him.
Which one of them is the real victim here, I ask you??
He's just gonna. Try and disarm him with a quick yank here. ]
[ It's just a cushion and therefore Nate has no qualms about relinquishing his weapon of choice, though he becomes disadvantaged upon permitting Ian to take the instrument of softened agony.
It wasn't an attack so much as a desperate attempt to muffle mockery, no matter how much he genuinely likes the laughter. People never get to just be, here, but it's close enough when Ian is being a dumbass for the express purpose of making him feel less terrible.
[ He's glad to know it worked. Acting like a moron is not always the right call during moments recovering from duress, kind of a gamble, risk v. reward. Sometimes it's great, sometimes you fall flat on your face and you just look like a jerk.
He has to defend his honor with one deliberate swat to Nate's shoulder with the pillow — he's no pushover, okay — but then it's back to wry. ]
Draw. But only because I'm not sure you could keep up, and I don't wanna make you look bad.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
There's that anxiety again, rearing its head and coursing from skin to skin and Nate recognizes it as the same emotion that passed through him in the rain, on a cliff, in a dream.
What Ian asks for - suggests - isn't a bad idea. It's the sort of exposure therapy that might help provide closure, in theory, and Nate has considered it himself without knowing who he would even decide to share it with. Why would anyone want to see that? To feel it?
The emotions wrapped up in his memory are inextricably entwined with his brother and because of that Nate, startled, blinks and shakes his head. ]
I ca- I can't. I appreciate the offer, I do, but I can't.
[ Selfish, maybe, to keep it a secret. Or he just isn't ready. Probably both.
Nate leans forward and places the bottle on the table before wrapping a beer-chilled hand around Ian's bare wrist, at the very least trying to convey his sincerity. ]
I can't put you in that.
no subject
He parts his lips to say as much — those polite things people say after 'no' they'd already eben expecting, really, it's okay, you don't have to- but Nate cuts that off at the knees.
Wrong time, wrong place, the annoying thing about an empathy bond is you can't pick and choose and screen what you feel like you could probably do with thoughts alone. Recite the alphabet over and over again in your head all you want, you can't do that with your emotions. Cold fingers wrapping around his wrist sends through a sharp and bright awareness through his bones, sensory static and sunlight before Nate's pressing sincerity sweeps it away. Fleeting enough to ignore entirely, hopefully, to focus on the actual subject at hand.
Amusement follows - grim, not remotely cheerful. He accepts the answer, just... the reason he's given, not so much. ]
Don't worry about me. I promise I've seen worse.
[ Than the sky, the trees, and a peaceful death. He's not what's important right now anyway. He's trying to be the comforter, not the comfortee. ]
no subject
It wasn't the sky, the trees, and a peaceful death. It was a last-ditch effort to keep a psychopath from putting bullets in the Brothers Drake, the panic that swelled when the barrel of a gun leveled at a vulnerable opening, and the lurching fear as he shut his eyes to take the hit before he was knocked over the edge.
It's too much. ]
It was worse. [ He emphasizes firmly, setting a boundary. ] But I don't want to talk about it.
[ Nate gives Ian's wrist a little squeeze before retreating, and maybe it's enough to satisfy his curiosity for now. God knows he means well, he cares, but these still aren't easy asks. They were never going to be, even as he adds a clarifying addendum before he can think better of it: ]
Today.
no subject
Okay. You don't have to. Whenever— if you ever do...
[ You know where he lives.
He settles his own elbow against the couch backing, the side of a finger settles on his lips briefly. It doesn't completely fall away when he speaks again. ]
I guess in the meantime we have to find a way to keep the tourists from messing up our city. Fucking snowbirds.
[ A gentle transition offering, if Nate wants the out. ]
no subject
His brother still spent enough time behind bars that he's more than earned the tabula rasa in a new world.
It's obvious bait and a kind gesture. Nate takes it without question and the thin, crooked smile on his face is a stand-in for a proper thank you. ]
Are you implying that New Amsterdam is the Florida of the future?
no subject
[ Wryly, and with at least a small amount of sincere humor. The metaphor's hitting way too close to apt to deny it. ]
New Amsterdam man breaks into billion dollar corporation, knocks out guard for no reason.
[ Pitched like a newspaper headline. ]
Better yet -- New Amsterdam man crosses sixty story crane to avoid rodent infestation.
[ You're welcome. ]
no subject
[ That actually startles a laugh out of him for the first time since they began this conversation over the implant's network, and Nate makes a show of dabbing a non-existent tear from his eye.
He's absolutely earned the ridicule but that doesn't mean he won't challenge it. Ian is doing him the favor of changing the subject, anyway, and he didn't have to do so. ]
I can't believe you're comparing me to Florida Man. That hurts.
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[ Pause for dramatic effect, and then-- ]
The first cut is the deepest - ♪
[ That's right, he's singing Sheryl Crow right now to rub in the pain. Salt in the wound. ]
Baby I know--
no subject
He takes the throw pillow next to him and, in a perfect mimicry of the last time he committed this exact atrocity on this exact couch, turns and deliberately presses it against Ian's face to stem the flow. ]
no subject
Which one of them is the real victim here, I ask you??
He's just gonna. Try and disarm him with a quick yank here. ]
no subject
It wasn't an attack so much as a desperate attempt to muffle mockery, no matter how much he genuinely likes the laughter. People never get to just be, here, but it's close enough when Ian is being a dumbass for the express purpose of making him feel less terrible.
He does feel less terrible. ]
Draw?
no subject
He has to defend his honor with one deliberate swat to Nate's shoulder with the pillow — he's no pushover, okay — but then it's back to wry. ]
Draw. But only because I'm not sure you could keep up, and I don't wanna make you look bad.